I'm going to post record indexes here in batches of 100 records. Here's the first one.
Record a Day
I'm a record collector with few boxes of old 45 and 78 rpm records, most of which have not been organized. The idea here is to catalogue a record a day ... get it all done little by little. It's going to be a fairly long ride and it will get even longer as I go, because I'm still looking for more of these little round black objects.
Sunday, August 02, 2026
Record #0828: Stop, Come See Me / Gum Shoe – SONNY THOMPSON
King 5055 (original) USA, May or June 1957
Words & Music by: Side A – Paul Tate; Side B – Henry Glover
Musicians: Sonny Thompson (piano and
orchestration), Paul Tate (vocals on side A), King Curtis (tenor sax on side B),
others unknown
Recording sessions: Produced by
Sonny Thompson, probably at King Records Studio, in Cincinnati, OH, in early
1957
Highest chart positions: none
Thompson had two #1 hits in US R&B in the late 40’s plus few top 10 hits as well. By 1957 his peak success had faded.
The flipside is what makes this record interesting for me. It features one of the great saxophone players in rhythm & blues and rock’n’roll; King Curtis. He played sax on many, many classics, and I’ve posted few of those in this blog, e.g. here, here and here.
List price: American Premium Record Guide lists Thompson’s King releases at $5-$10. As I’m writing this post, someone (in Denver, CO) is asking $27,95 for this record in eBay. Well, no harm in asking. 😊
Saturday, August 01, 2026
Record #0827: Birth of the Boogie / Mambo Rock – BILL HALEY AND HIS COMETS
Rhythm BM 5405 (original) UK Finland, 1955 (around summer)
Words & Music by: Side A – Bill Haley, Billy Williamson, Johnny Grande;
Side B – Bix Reichner, Mildred
Phillips, Jimmy Ayre
Musicians: Bill Haley (vocals and rhythm
guitar), Franny Beecher
(lead guitar), Al Rex
(upright bass), Billy Williamson
(steel guitar), Joey Ambrose (tenor sax), Johnny Grande (piano), Billy Gussak
(drums), Dick Richards (tom-toms)
Recording sessions: Produced by Milt Gabler at Decca Studios, Pythian Temple,
New York, NY on 5. January 1955
Highest chart positions: (Finland,
none) Side A – US #26, Australia #14; Side B – US #18, UK #14
When this was released, rock’n’roll was still fairly unknown genre in Finland. The reception in local newspapers and magazines was highly critical and bewildered. This music was considered an eccentric gimmick or noisy, cacophonous jazz that would be just a passing trend. Well, little did they know. 😊
The record wasn’t a commercial success. The movie “The Blackboard Jungle” premiered in Finland in November 1955. After that, things started happening.
List price: Not listed and no selling history in eBay. Estimated market value for a VG+ would be about €15-€25.
Friday, July 31, 2026
Record #0826: See You Later, Alligator / The Paper Boy (on Main Street U.S.A.) – BILL HALEY AND HIS COMETS
Decca BM 05530 (original, 1st pressing) UK export, February
1956
Words & Music by: Side A –
Robert
Guidry; Side B – Bill Haley, Catherine Cafra
Musicians: Bill Haley
(vocals and rhythm guitar), Franny
Beecher (lead guitar), Al Rex (upright bass), Billy Williamson (steel guitar), Rudy
Pompilli (tenor sax), Johnny Grande (piano), Ralph
Jones (drums)
Recording sessions: Produced by Milt Gabler
at Decca Studios, Pythian Temple, New York, NY on 12. December 1955
Highest chart positions: Finland #6,
US #6, US R&B #7, UK #7 (the single entered the UK chart on 10. March 1956)
I’ve posted the original US release here.
The
matrix numbers (88995-1 and 88996-1) stamped into the dead wax indicate that
this is the first pressing of the record. These were made in England for export
only. The ones made for the UK market were under Brunswick label (Brunswick
05530).
These were exported to the continental Europe and especially to the Nordic
countries; and this copy ended up in Finland.



