Record #0872: When / Three O’Clock Thrill – KALIN TWINS

Rhythm 45-BM 05751 (original), Finland, 1958
Words & Music by:  Side A – Jack Reardon, Paul Evans; Side B – Jack Keller, Noel Sherman
Musicians: Herbie Kalin (vocals), Hal Kalin (vocals) with an orchestra & chorus conducted by Jack Pleis
Recording sessions: Produced by Jack Pleis at Decca Studio A, Pythian Temple, New York, NY, 26. March 1958
Highest chart positions:  US #5, US R&B #1, US Country #13, Canada #2, UK #1

I’ve posted the original US release of this here.

Decca Records originally released the single with “Three O'Clock Thrill” as the A-side. However, during a promotional tour, the Kalin Twins noticed that radio DJs and audiences responded much better to the catchy “When”. They urged the record label to push it instead, turning the intended B-side into an international hit.

When the song crossed the Atlantic, it made history by becoming the very first number-one hit in the UK written by Paul Evans, who went on to become a legendary Brill Building songwriter.

The British retro-rock 'n' roll group Showaddywaddy revived “When” in 1977. Their energetic version became a massive success, peaking at number 3 on the UK Singles Chart.

List price: I didn’t find any prices nor sold copies of this. I’d value this at 10 euros in VG+ condition.

 

Record #0871: A Lover’s Question / You Made a Man Out of Me – OTIS REDDING

ATCO 45-6654 (original), USA, February 1969
Words & Music by:  Side A – Brook Benton, Jimmy Williams; Side B – Deanie Parker, Steve Cropper
Musicians:  Otis Redding (lead vocals), Steve Cropper (guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums), Booker T. Jones (keyboards), Isaac Hayes (keyboards), Wayne Jackson (trumpet), Andrew Love (tenor sax), Joe Arnold (tenor sax)
Recording sessions:  Produced by Steve Cropper at Stax Recording Studios, Memphis, TN, in November and early December 1967
Highest chart positions:  Side A – US #48, US R&B #20; Side B - none

Otis Redding died in a plane crash on 10. December 1967. This is one of his posthumous singles.

The A-side is a soulful cover of a massive 1958 hit originally recorded by Clyde McPhatter. Otis Redding breathed new life into the track during his late 1967 sessions, and his posthumous version managed to climb to #20 on the Billboard R&B Singles chart in the spring of 1969.

After Otis Redding passed away the tracks were left unpolished. Guitarist and producer Steve Cropper had to meticulously sift through the unfinished Stax tapes throughout 1968. He worked alongside the M.G.'s to finish the arrangements, tweak the instrumentation, and mix the tracks, effectively shaping the sound of Redding's most successful posthumous era after the singer was already gone.

List price: Very Good+ $5, Near Mint $10.

 

Record #0870: Star Dust / Lucinda – BILLY WARD AND HIS DOMINOES

Liberty F-55071 (original), USA, May 1957
Words & Music by:  Side A – Hoagy Carmichael, Mitchell Parish; Side B – Billy Ward
Musicians:  Eugene “Gene” Mumford (lead tenor), Billy Ward (pianoand backing vocals), Cliff Givens (bass vocals), Milton Grayson (baritonevocals), Milton Merle (second tenor), others unknown
Recording sessions:  Produced by Billy Ward (and engineered by Harold “Lanky” Linstrot) at Radio Recorders, Los Angeles, CA, on 7. March 1957
Highest chart positions:  Side A – US #12, US R&B #1, UK #13; Side B - none

The session took place during a time of uncertainty for the group. Their legendary lead vocalist, Jackie Wilson, had just left the band to pursue a solo career. Billy Ward quickly replaced him with Gene Mumford (formerly of The Larks). Despite the pressure of replacing a future Hall of Famer, Mumford’s silken tenor delivery on this precise session clicked perfectly with the public, making this lush pop arrangement the group's most successful pop-charting hit and their only single to sell over a million copies.

This is one of the First Stereo R&B/Pop Recordings. Back in March 1957, stereo was still an experimental commercial medium, mostly reserved for classical music or high-fidelity jazz. Capturing an R&B/vocal group on a multi-track machine allowed Liberty Records to release one of the earliest true stereo pop singles, bridging the gap between gritty rhythm and blues and high-end hi-fi audio. By utilizing an early Ampex multi-track tape recorder, engineer Lanky Linstrot could separate the vocal performances from Vic Schoen's large studio orchestra. In standard 1950s mono recordings, everyone played at once into one or two microphones, meaning a loud horn or drum could easily drown out a delicate vocal.

List price: Very Good+ $15, Near Mint $30. Picture sleeves VG+ $62,50, NM $125. I found two sold copies without the sleeve in eBay for $20-$25 and four copies with the sleeve for $25-$55.